Afterword
2023｜Autumn｜Paper, text, words, subtitles, images, video, exhibition info, artwork info ｜Dimensions variable｜80A Gallery11.19 – 2024.01.07
“How would I imagine a show carrying the quality of an afterword?”“Plus, a fundamental condition is that it excludes all visuals.”
I have been thinking about this – how to show ‘the positioning of two opposing things which are, in fact, inherently connected,’ like weekends and weekdays. A and B follow a sequence, yet they can, too, take one another’s position. However, concerning the order of time, as one may present B before A, a show may open with an afterword.
The whole thing (this exhibition) is actually very strange, they are almost a model of time. The state of each piece is different, and I assign the point of thinking in this exhibition to each work. What is the idea of not using visuals, or is it possible to use visuals without making complet piece? Making its content irrelevant to the exhibition? In a space filled with words and paper, how can you create a piece that attracts the audience's attention? I think it's still necessary for the eyes.
So I think what I am thinking about is the shell of the exhibition, its important form shell. The structural creation of this shell is what the whole exhibition wants to do.
Special Thanks
Venue / Horst / collector：80A Gallery, mizutani t, Yachu Chiu
Photo / Equipment：林安芃 pomme1101
Equipment：甘浩宇 GAN
Equipment：楊詠翔
Translation：Cindy
Light：阿嵐 souarashi（online）
Staff：佳盈
Collection of documents：Lee Kit - I Want(A)
Image from：Jochen Lempert（from 趙悅凡 Fan）
Comments / With the Talker：張祖維
Comments (first day)：秋本
With the Talker：鄭翔宇（with 瑞）
Previous Artist：Fable's staff
Voice（朗讀）：L（with green）
Employee a short day：Wen Gum Gum
Employe online：周
前來的所有朋及路人