AA
英文詞


projection
gesture

光線投影
觀眾主觀
projection  光線投影
觀眾主觀

gesture  手勢行為
語意投射

document  文本紀錄
編輯過的現實

linguistic structure  語言結構
視覺秩序






“How would I imagine a show carrying the quality of an afterword?”
「我想想像一個展覽,它帶有幕布的性質,要怎麼做?」

“Plus, a fundamental condition is that it excludes all visuals.”
「而基礎條件是恰逢其時。」

I have been thinking about this – how to show ‘the positioning of two opposing things which are, in fact, inherently connected,’ like weekends and weekdays.
我在想著這樣的東西,要怎麼「挪移兩個不一樣的東西,然而它們本身無處不描述其實是相連在一起的。」就像節日,跟平日。

A and B follow a sequence, yet they can, too, take one another’s position.
AB 是左右關係,甚至可以交替循環。

However, concerning the order of time, as one may present B before A, a show may open with an afterword.
但你想在時間上,先描述 B 再 A,就像一個展覽的開場就叫謝幕。





 “How would I imagine a show carrying the quality of an afterword?”  
 “Plus, a fundamental condition is that it excludes all visuals.”  
 I have been thinking about this – how to show ‘the positioning of two opposing things which are, in fact, inherently connected,’ like weekends and weekdays. A and B follow a sequence, yet they can, too, take one another’s position. However, concerning the order of time, as one may present B before A, a show may open with an afterword.

    「我想想像一個展覽,它帶有幕布的性質,要怎麼做?」

    「而基礎條件是恰逢其時。」


    我在想著這樣的東西,要怎麼「挪移兩個不一樣的東西,然而它們本身無處不描述其實是相連在一起的。」就像節日,跟平日。AB 是左右關係,甚至可以交替循環,但你想在時間上,先描述 B 再 A,就像一個展覽的開場就叫謝幕。







 “How would I imagine a show carrying the quality of an afterword?”  
 “Plus, a fundamental condition is that it excludes all visuals.”  
 I have been thinking about this – how to show ‘the positioning of two opposing things which are, in fact, inherently connected,’ like weekends and weekdays. A and B follow a sequence, yet they can, too, take one another’s position. However, concerning the order of time, as one may present B before A, a show may open with an afterword.

    「我想想像一個展覽,它帶有幕布的性質,要怎麼做?」

    「而基礎條件是恰逢其時。」



    我在想著這樣的東西,要怎麼「挪移兩個不一樣的東西,然而它們本身無處不描述其實是相連在一起的。」就像節日,跟平日。

    AB 是左右關係,甚至可以交替循環,但你想在時間上,先描述 B 再 A,就像一個展覽的開場就叫謝幕。



    “我怎麼能想像一場演出能有後記的品質呢?”

    “另外,一個基本條件是它排除了所有視覺效果。”



    我一直在思考這個問題——如何展現“兩個對立的事物之間,它們實際上本質上是相互聯繫的”,例如週末和工作日。

    A 和 B 遵循一定的順序,但它們也可以互相取代。然而,就時間順序而言,由於 B 可以先於 A 呈現,因此展覽可以以一段後記開場。







關於某些輕微引用,在藝術家與藝術家之間,難以辨認的,各自的無名手法,
如果這是偷來的,概念也有手痕,相似也是一種協作。

「在概念上,輕鬆愉快其實是帶有某一種陰影的」
「我幫這兩個東西,各自都取了名字。」








關於某些輕微引用,在藝術家與藝術家之間,難以辨認的,各自的無名手法,
如果這是偷來的,概念也有手痕,相似也是一種協作。

「在概念上,輕鬆愉快其實是帶有某一種陰影的」
「我幫這兩個東西,各自都取了名字。」






      關於某些輕微引用,在藝術家與藝術家之間,難以辨認的,各自的無名手法,
      如果這是偷來的,概念也有手痕,相似也是一種協作。

      「在概念上,輕鬆愉快其實是帶有某一種陰影的」
      「我幫這兩個東西,各自都取了名字。」