Wrapping paper


2025|Winter|Words, glass, object, rock, wapping things, sentence etc.|Dimensions variable|POMA project2025.12.18 – 2026.01.11

space: POMA project
二樓樓梯扶手 Second floor stair railing
(Florist, I) (behind)
Each work presents a sentence (front)
left: (Florist, I) 
Bottom left: 〈Snapshot〉3
right word: Floral menu 
right:〈Snapshot〉1
          〈Snapshot〉2
〈花單〉Floral menu|2025|Projection, text|Dimensions Variable
〈幾件文字截圖〉其一〈Snapshot〉1|2025|Glass and paper text, tape|90×63×0.5cm, 12×8cm
right:〈Snapshot〉1
left:  〈Snapshot〉2

〈Snapshot〉1
〈Snapshot〉1
(幾件文字截圖〉其二〈Snapshot〉2|2025|
Glass and paper text, tape|100x70x0.5cm, 12×10cm
〈Snapshot〉2
〈幾件文字截圖〉其三〈Snapshot〉3|2025|
Glass and paper text, tape|80x100×0.5cm, 8×12cm
〈Snapshot〉3
〈花藝師,我〉 (Florist, I)|2025|Digital print, decorative paper as a frame|39×25cm
flint,Wire flower foot,Black floral bucket
left:〈鐵絲花腳〉Wire flower foot|2025|Digital print|36×48cm
right:〈黑桶〉Black floral bucket|2025|Digital print|36×48cm
〈打火石〉flint|2025|Two pieces of volcanic rock, several flints. Stand: Cake boxes, flower stands|Rock: 8x12×5, 9×10x5cm
flint
Daily pirouette|2025|Vedio, 0'30" loop
〈花藝師,我〉(Florist, I)|2025|Digital print|15×15cm*2
〈物件a〉Obiect a|2025|Glass, the spool for ribbons, 80x120cm
The purpose of volcanic rock is to prevent impacts.
從入口看向後方
Looking at the balcony from the second-floor entrance
(Trash) color,(Trash) polystyrene,Cardboard
gift|2025|Plaster, binding, stand: glass|flower stand
Diameter ÷20-25cm
〈垃圾袋〉保麗龍 (Trash) polystyrene|2025|Digital print|18×20x2cm
從後方看向入口
Looking at the entrance from the back
〈話語的裝置〉Each work presents a sentence|Tape, paper, and text|5×8×2cm*12
Each work presents a sentence
從一樓一上來
Come up from the first floor
轉頭看向一樓門口
Looking towards the entrance on the first floor
〈連續蝴蝶結〉Continuous bow|2025|Several ribbon bows, in two colors|Dimensions Variable.
with two color
從一樓上來
Go upstairs




I have been thinking about this – how to show ‘the positioning of two opposing things which are, in fact, inherently connected,’ like weekend
Another haphazard attempt, like two arcs intersecting at right angles to form beautiful furniture.
Curiosity is the answer; repetition is also a draw. I've just sorted through a lot of things from the online world to send to myself—it feels like packing luggage.
At the back door of free form, the questions we leave behind become part of the solution.


This exhibition may carry traces of reflections from early 2024, when I was exploring the application and inversion of packaging logic. Yet throughout that entire year, I encountered no such life materials. This year, amidst the frequent routines of the flower shop, it found its practice—the allure of shipping and boxing, and the leftover floral materials themselves. They granted me unprecedented hands-on experiences, surpassing the total from my nine years in academia.

The description of this beautiful piece of furniture—two arcs intersecting vertically—comes from my description of Christopher Stuart's Alt Table, recommended by Lin, An-Peng. The repetition of chess moves was learned from Wang, Ru-Xuan's chess training this year. “Free form” is a captivating term, originating from Charlotte Perriand's A free form table—its name surprisingly not being “freestyle.”


 ◼️       又是一次散散亂亂的嘗試,像是兩個圓弧垂直又相交的美麗家具。好奇即答案,重複也會和棋。剛從網路世界整理了很多我要傳送給自己的東西,簡直像在打包行李。在自由形式的後門,我們留下的問題也成為了解答的一部分。    

    *

    這是一個兩年沒做個展的人,因此這次展覽可能帶有一點 2024 年初的思考影子,當時在尋找包材邏輯的應用與倒反,但那一整年沒有遇上這種生活素材,這件事在今年頻繁的花店日常裡被實踐,關於運送跟盒裝都有其迷人之處,花材的剩料也是一種。它們讓我體驗了從未有過的手工時光,比在學院九年加起來還多。

    兩個圓弧垂直又相交的美麗家具此描述來自於我描述這張 Christopher Stuart 的 Alt Table,由安芃同學推薦,重複也會和棋是從今年襦萱同學的西洋棋鍛鍊裡得知,自由形式是個迷人的詞彙,來自 Charlotte Perriand 的 A free form table,它的名字竟然不是 freestyle。  







   
Continuous bow

2025|Several ribbon bows, in two colors|Dimensions Variable. In doorway











photo from POMA 
thanks Apo















my entrance
my exit









        


 
Wrapping Paper
DM


2025|Paper, reversible, 1 types | 10.5×15cm ( _/100 )











Wrapping  Paper
exhibition booklet


2025|Paper, 22 page| 9×15cm,( _/50+20 )
Free for the first 50 spectators.











Thanks:

空間 POMA project 
Minda
Apo 
光印樣
Avocado
千葉
阿嵐燈光
仲平攝影
133 玻璃
顧常火山岩
各自遠端工作室夥伴
安芃

襦萱
金金
其他來探班的朋
阿聰
陳譽仁評論
與談人
陳思宇
李兆起
謝謝我的花店們
朵常 Hide Daily
雕塑花園
謝謝前來的花藝師與岱芸
感謝觀眾們
Take a walk around the exhibition hall