Wrapping paper
2025｜Winter｜Words, glass, object, rock, wapping things, sentence etc.｜Dimensions variable｜POMA project2025.12.18 – 2026.01.11
2025｜Winter｜Words, glass, object, rock, wapping things, sentence etc.｜Dimensions variable｜POMA project2025.12.18 – 2026.01.11
(Florist, I) (behind)
Each work presents a sentence (front)
Bottom left: 〈Snapshot〉3
right word: Floral menu
right:〈Snapshot〉1
〈Snapshot〉2
left: 〈Snapshot〉2
Glass and paper text, tape｜100x70x0.5cm, 12×10cm
Glass and paper text, tape｜80x100×0.5cm, 8×12cm
right:〈黑桶〉Black floral bucket｜2025｜Digital print｜36×48cm
Looking at the balcony from the second-floor entrance
Diameter ÷20-25cm
Looking at the entrance from the back
Come up from the first floor
Looking towards the entrance on the first floor
Go upstairs
Curiosity is the answer; repetition is also a draw. I've just sorted through a lot of things from the online world to send to myself—it feels like packing luggage.
At the back door of free form, the questions we leave behind become part of the solution.
This exhibition may carry traces of reflections from early 2024, when I was exploring the application and inversion of packaging logic. Yet throughout that entire year, I encountered no such life materials. This year, amidst the frequent routines of the flower shop, it found its practice—the allure of shipping and boxing, and the leftover floral materials themselves. They granted me unprecedented hands-on experiences, surpassing the total from my nine years in academia.
The description of this beautiful piece of furniture—two arcs intersecting vertically—comes from my description of Christopher Stuart's Alt Table, recommended by Lin, An-Peng. The repetition of chess moves was learned from Wang, Ru-Xuan's chess training this year. “Free form” is a captivating term, originating from Charlotte Perriand's A free form table—its name surprisingly not being “freestyle.”
◼️ 又是一次散散亂亂的嘗試，像是兩個圓弧垂直又相交的美麗家具。好奇即答案，重複也會和棋。剛從網路世界整理了很多我要傳送給自己的東西，簡直像在打包行李。在自由形式的後門，我們留下的問題也成為了解答的一部分。
＊
這是一個兩年沒做個展的人，因此這次展覽可能帶有一點 2024 年初的思考影子，當時在尋找包材邏輯的應用與倒反，但那一整年沒有遇上這種生活素材，這件事在今年頻繁的花店日常裡被實踐，關於運送跟盒裝都有其迷人之處，花材的剩料也是一種。它們讓我體驗了從未有過的手工時光，比在學院九年加起來還多。
兩個圓弧垂直又相交的美麗家具此描述來自於我描述這張 Christopher Stuart 的 Alt Table，由安芃同學推薦，重複也會和棋是從今年襦萱同學的西洋棋鍛鍊裡得知，自由形式是個迷人的詞彙，來自 Charlotte Perriand 的 A free form table，它的名字竟然不是 freestyle。
2025｜Several ribbon bows, in two colors｜Dimensions Variable. In doorway
thanks Apo
DM
2025｜Paper, reversible, 1 types ｜ 10.5×15cm ( ＿/100 )
Wrapping Paper
exhibition booklet
2025｜Paper, 22 page｜ 9×15cm，( ＿/50+20 )
Free for the first 50 spectators.
空間 POMA project
Minda
Apo
光印樣
Avocado
千葉
阿嵐燈光
仲平攝影
133 玻璃
顧常火山岩
各自遠端工作室夥伴
安芃
泉
襦萱
金金
其他來探班的朋
阿聰
陳譽仁評論與談人
陳思宇
李兆起
謝謝我的花店們
朵常 Hide Daily
雕塑花園
謝謝前來的花藝師與岱芸
感謝觀眾們