modern house-First Aid Kit
2026｜Winter｜第四屆摩登浩室—急救包｜Artist：modern house：安芃 An-Peng Lin 顧承洋 Cheng Yang -YANG,KU 郭青泉 Ching-Chuan,Kuo 黃點點 Yellow Dot Dot｜Dimensions variable｜Glitch 毛刺空間 2026.10.31 (Sat) – 2026.12.20 (Sun)
2026.10.30
2026.10.31
觀眾可以自行打開包裹
還沒開的也可以用盒中的美工刀拆開
這是一個像收發室的空間，包裹會在展期中陸續抵達。
Packages will arrive at the venue gradually throughout the exhibition.
Visitors are welcome to open the packages themselves.
For those that have not yet been opened, a utility knife is provided in the box.
This is a space like a mailroom, where packages will arrive one after another throughout the exhibition.
modern house no.4 token（信物）
2026｜Mix medium｜Dimensions Variable
Poster
2026｜Paper, cardboard｜59.4 × 84.1cm, 200 piece
Ku Cheng Yang
Audience
Lin an peng, born in 1994 in the United States, currently resides in Taipei, Taiwan. In his artistic practice, Lin places a strong emphasis on transforming abstract concepts and ideas into physical objects, serving as a connection between individuals. He delves into the contradictor y nature of subject-object relationships, specifically their mutually influential and constantly exchanging states.
Lin explores various perspectives on objects in consumption that shape our daily lives through his recent work, encompassing elements such as the remnants left behind after consumption, the delicate and rapid beauty inherent in these objects, and their diverse identities in our lives.
Cheng Yang Ku
CHENG-YANG KU, born in 1995, is a Taiwanese artist specializing in sculpture, installations, and performance art. His research focuses on “wearable sculpture” - the interaction between sculpture and the human body, recognizing how people are constantly influenced and shaped by things they come into contact with. He often approaches contemporary daily life and behavioral habits from the perspective of an observer and incorporates them into his creative work. Using various materials, he intervenes in the characteristics of modern society, subsequently reconstructing language and concepts conceptually
Ching Chuan Kuo
Recently, my situation has been roughly similar to An-Peng’s—except swap Hamburg for Frankfurt, Taipei for Tokyo, and the shoe rack for friends.
For this project, I have been thinking about the distance between a work and an exhibition, and the distance between a work and oneself.
I view art as a study of human experience, drawing inspiration from the relationships and interactions that shape our contemporary daily lives, whether with people, objects, or familiar routines. I seek to blur the boundaries between intimate and public spaces, and to explore the fluidity of gender and identity. My practice combines drawing, sculpture, and installation, examining the function and dysfunction of everyday objects through a queer perspective.
Yellow Dot Dot
Yellow Dot Dot’/ Blue Button’s work is concerned with art and literature and their common poetic (perceptual) state. He is concerned with the way things are seen and talked about, and the difference between daily life and creation. He deals with the relationship between space and its contents using any material, such as objects, images, notes, words, light, and projections.
Yellow Dot Dot deploys the ratio of abstract concepts to real objects to deconstruct how an "exhibition space" is constructed. Each exhibition is considered as a whole piece of work, and his real work is: "the methods (and conditions) that constitute the work”.
2026.11.05 2026.11.07
2026. 11.07
The assembly of the tokens is performed by the audience.
信物由現場觀眾組裝（德國寄回，一半在現場）
Thank you to artist and viewer Chih-Wei Chiu and WU Lien Yin for unpacking and assembling the product.
An-Peng Lin’s part
During the setup of the exhibition
Cheng-Yang Ku
Audience
Audience
ＤＭ / Post / Karte ｜A1, 59.4 × 84.1cm , 200 piece｜Photography: An-Peng Lin｜Discussion & Design: An-Peng Lin, Cheng-Yang Ku, Ching-Chuan,Kuo, Yellow Dot Dot
Friends can take the A1-sized poster and give it to other friends.
The size of each poster will decrease over time.
The poster can also be a card,
a postcard,
a business card,
and a stamp.
(Excerpt from Sunday Family Gathering)
Yellow dot dot: We should film the packing process to play it before the packages arrive.
An-Peng: Stepping outside the exhibition framework has always been on my mind. I want my works to be truly woven into daily life—to be a person’s response to their surroundings within the time they exist. An exhibition is just one of the few brief moments where these objects get to meet strangers. I have to weigh how to use these opportunities, and see what changes they end up making to the work.
Cheng-Yang: We didn't actually write anything related to the First Aid Kit!
Ching-Chuan: We're not looking for the right answers anyway.
Yellow Dot Dot studio
（節錄自週日家庭聚會的片段：）
黃點點：我們應該在放入東西的時候錄影，在包裹還沒寄到的時候可以拿出來播。
安芃：脫離展覽框架一直是我在思考的。講得簡單一點，我希望作品是就算沒有展覽，我也會想做的東西，對自己的生活有功能跟意義。展覽是這些物件短暫能跟陌生人接觸的少數機會，我想知道怎麼使用這些機會，以及這些機會又對作品產生了什麼改變。
承洋：我們都沒有寫跟急救包有關的欸！
青泉：阿我們就不是要對答案。
Ching-Chuan,Kuo studio
小白，信物建模與海報切割
毛刺空間
激浪咖啡廳
weareverselection，鞋盒贊助
Previous sessions token
歷屆信物
摩登浩室第一屆，副標：週日家庭聚會 私人空間
invitation card（frosted glass） by Lin An Peng（1/1）
2019｜National Taiwan University of Arts North District Art Colony｜Ku Cheng Yang Wang Ru Xuan Lin An Peng
modern house-Ultralight（The Second）
摩登浩室第二屆，副標：超輕量
Aluminum alloy key invitation card / VIP Set.（＿/50），Souvenir Friends Edition-SLA (Stereolithography).（＿/50）
2024｜An-peng Lin’s House, Taipei｜ Ku Cheng Yang Wang Ru Xuan Lin An Peng Yellow Dot Dot
modern house- Borrowed Light（The Third）
摩登浩室第三屆，副標：借光
modern house-borrowed light：object：Viewfinder （＿/20）？
2025｜Tokyo, Hosted by Datsuijo - (a) place to be naked｜ Lin An Peng Ku Cheng Yang Ching Chuan Kuo
modern house-First Aid Kit（The Fourth）
摩登浩室第四屆，副標：急救包
↓
Coin Purse Connector Cheng Yang Ku
Modern House Perfume Yellow Dot Dot
Hand-Form Sponge Sculpture Ching Chuan Kuo
Foam and black and white photography An peng Lin
invitation card
by Seeulastime/沙盒
急救包，展場，萬用音樂
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